Palestine: Ruines de l'église d'Emmaüs près de Jérusalem (No. 839)

Cartographer / Artist: Félix Bonfils (1831–1885) / Maison Bonfils

Date Created: c. 1875–1885

Medium: Albumen photograph mounted on card

Physical Dimensions: 9.5 × 7.5 inches

Geographic Scope: Emmaus (Al-Qubayba / Nicopolis region), Palestine / West Bank

Archive Catalog ID: fp2-img-3402

Provenance: The Dr. Joseph R. Rubini Archive

Collection: Bonfils Albumen Prints

This late nineteenth-century albumen photograph by renowned French photographer Félix Bonfils captures the atmospheric ruins of the Crusader-era Church of Emmaus, located in the hills near Jerusalem. The photograph features the substantial ashlar masonry and surviving arched portal of the medieval sanctuary, with a solitary monastic figure standing beside the vaulted doorway to provide scale against the ancient stone ruins. In the background, the rolling, arid terrain of the Judean hill country unfolds toward a distant Palestinian village characterized by flat-roofed stone dwellings. Bonfils' studio in Beirut produced a celebrated commercial corpus of Middle Eastern views that documented biblical topography and architectural archaeology for European pilgrims, scholars, and grand tourists during the late Ottoman period.

Condition: Overall very good tonal gradation with typical warm sepia fading consistent with nineteenth-century albumen prints.. Minor surface soil, faint spotting, and light edge wear around the perimeter.. Integrated publisher numbering and French manuscript caption in negative along the lower edge remains clearly legible.

Palestine: Ruines de l'église d'Emmaüs près de Jérusalem (No. 839)
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Bonfils Albumen Printsc. 1875–1885

Palestine: Ruines de l'église d'Emmaüs près de Jérusalem (No. 839)

By Félix Bonfils (1831–1885) / Maison Bonfils

Archival Overview & Authenticated Facts

Authentic period c. 1875–1885 Albumen photograph mounted on card by Félix Bonfils (1831–1885) / Maison Bonfils documenting Emmaus (Al-Qubayba / Nicopolis region), Palestine / West Bank. Measures 9.5 × 7.5 inches. Verified original holding from the Dr. Joseph R. Rubini Archive.

Acquisition Status$75
Dr. Joseph R. Rubini Archive • 100% Guaranteed Authentic Original

Physical Specifications & Details

Medium & Technique
Albumen photograph mounted on card
Sheet / Plate Size
9.5 × 7.5 inches
Date / Era
c. 1875–1885
Geographic Scope
Emmaus (Al-Qubayba / Nicopolis region), Palestine / West Bank
Archive Catalog ID
fp2-img-3402
Provenance
The Dr. Joseph R. Rubini Archive
Preservation & Condition Report
  • Overall very good tonal gradation with typical warm sepia fading consistent with nineteenth-century albumen prints.
  • Minor surface soil, faint spotting, and light edge wear around the perimeter.
  • Integrated publisher numbering and French manuscript caption in negative along the lower edge remains clearly legible.

Historical Context & Archival Analysis

This late nineteenth-century albumen photograph by renowned French photographer Félix Bonfils captures the atmospheric ruins of the Crusader-era Church of Emmaus, located in the hills near Jerusalem. The photograph features the substantial ashlar masonry and surviving arched portal of the medieval sanctuary, with a solitary monastic figure standing beside the vaulted doorway to provide scale against the ancient stone ruins. In the background, the rolling, arid terrain of the Judean hill country unfolds toward a distant Palestinian village characterized by flat-roofed stone dwellings. Bonfils' studio in Beirut produced a celebrated commercial corpus of Middle Eastern views that documented biblical topography and architectural archaeology for European pilgrims, scholars, and grand tourists during the late Ottoman period.

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Every map, fine print, and photograph offered by Rubini Antique Maps and Prints is an authenticated, 100% original period work produced during its stated publication date or era. We never sell modern reproductions or digital facsimiles. All cataloged items carry verified provenance originating from the historical collection of Dr. Joseph R. Rubini, backed by complete historical attribution.